Rose City Chimes
Moderator: Ricky Davis
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Earnie Sumerall
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- Location: Oklahoma
Rose City Chimes
Anybody have the tab for ROSE CITY CHIMES-Emmons version?
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Bobby Lee
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Jim Smith
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Earnest Bovine
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Jim Smith
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Thanks Earnest, I'll have try it that way. I used to play the chimes at frets 12, 7 and 5 with strings 1, 2, and 3. I assume you're talking about using the 5th fret with strings 5, 6, and 7 and the A with string 4. My guitar isn't set up, but it makes sense, although you'd be jumping to different grips of strings.
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Kenny Dail
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Here is a way of playing the chimes that I play it. Assuming everybody plays it on C6 with a high G on the 1st string.
Play the harmonics at the 12th fret for the 1 chord and instead of raising the 1st (G) to A for the 6th tone harmonic, place the bar in you hand strategically so that it will be "standing on the round end" then you can tip the nose of the bar on the 1st string at the 14th fret as this note is needed. It may seem difficult at first but can be mastered with a little effort. The resulting note (A) will not be a harmonic but the timbre frequency will be in the same register as the natural harmonics. I have difficulty with the roll. I would like to know how to do the roll properly. Hope this little trick helps those that are having problems with this part of the music.
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kd...and the beat goes on...
<p ALIGN=CENTER><FONT SIZE=1 COLOR="#8e236b">[This message was edited by Kenny Dail on 06-19-99]</FONT></P>
Play the harmonics at the 12th fret for the 1 chord and instead of raising the 1st (G) to A for the 6th tone harmonic, place the bar in you hand strategically so that it will be "standing on the round end" then you can tip the nose of the bar on the 1st string at the 14th fret as this note is needed. It may seem difficult at first but can be mastered with a little effort. The resulting note (A) will not be a harmonic but the timbre frequency will be in the same register as the natural harmonics. I have difficulty with the roll. I would like to know how to do the roll properly. Hope this little trick helps those that are having problems with this part of the music.
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kd...and the beat goes on...
<p ALIGN=CENTER><FONT SIZE=1 COLOR="#8e236b">[This message was edited by Kenny Dail on 06-19-99]</FONT></P>
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Earnest Bovine
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Earnie Sumerall
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Kenny Dail
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- Location: Kinston, N.C. R.I.P.
Ernie, I was referring to the "voicing" of the chime part only. 'Roll' was a bad way of describing the fingering the chimes. I didn't major in 'country lingo' either.
I don't play good "Merle Style" but, in a room full of "noise", I can fool 'em sometimes.
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kd...and the beat goes on...
I don't play good "Merle Style" but, in a room full of "noise", I can fool 'em sometimes.

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kd...and the beat goes on...
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Kenny Dail
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Kenny Dail
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Herb Steiner
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This was discussed about a year ago on the Forum, and I called Bobby Garrett about it, for information on both his version and Buddy's.
Bobby recorded it originally in C, on both necks. On the version from "Live At Frontier Days," he cut it in Bb, and had a high G on top, so he did the chimes all at the 12th fret. Bobby tuned to Bb6th when he was with Thompson.
Bobby told me that Buddy played the A minor arpeggio at the 24th fret and "it was real hard."
This was Buddy's version on the "Midnight Jamboree" Tubb album.
Bert Rivera showed it to me where he chimed the arpeggioes at the 12th fret and dropped the bar onto the 14th fret for the A note (key of C, high G on top). This would be the "all chimes but one note" version.
Finally, Bobby's last tuning was his version of E9th which allowed him to play the tune in A, all on one neck.
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http://members.aol.com/herbs10178/index.htm
<p ALIGN=CENTER><FONT SIZE=1 COLOR="#8e236b">[This message was edited by Herb Steiner on 06-22-99]</FONT></P>
Bobby recorded it originally in C, on both necks. On the version from "Live At Frontier Days," he cut it in Bb, and had a high G on top, so he did the chimes all at the 12th fret. Bobby tuned to Bb6th when he was with Thompson.
Bobby told me that Buddy played the A minor arpeggio at the 24th fret and "it was real hard."
This was Buddy's version on the "Midnight Jamboree" Tubb album.Bert Rivera showed it to me where he chimed the arpeggioes at the 12th fret and dropped the bar onto the 14th fret for the A note (key of C, high G on top). This would be the "all chimes but one note" version.
Finally, Bobby's last tuning was his version of E9th which allowed him to play the tune in A, all on one neck.
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http://members.aol.com/herbs10178/index.htm
<p ALIGN=CENTER><FONT SIZE=1 COLOR="#8e236b">[This message was edited by Herb Steiner on 06-22-99]</FONT></P>
